Of
all the books that I have read, I like Bibhuti Bandopadhyay's novel
"Pather Panchali", Saga of the Wayside. Today it has been filmed and
its film version, done by renowned director Satyajit Ray, has won international
recognition. That, of course, is largely the achievement of the maker of the film,
but the cause of its great popularity is certainly the warm humanity and
depiction of childhood in the novel.
The
story may be said to deal essentially with 'familiar matter of today' — the
sorrows and joys of village children. It traces the life of Apu' from his
childhood beginnings. The first part describes the social surroundings in which
Apu was born and the character of "Indir Thakurani" sets the tone of
pathos which runs through the entire novel. The next two sections deal with
Apu's childhood and the author adroitly depicted the sensitivity of a child's
mind developing under the influence of familiar sights, scenes and sensitive
human beings. The portrayal challenges comparison with Kipling's `Kipps' or H.
G. Wells 'Kim'. Apu's elder sister `Durga' is the principal character around
whom the little child grows up with all his dreams and fancies. What a lovable
character is Durga ! Few brother-and-sister friendships in the realm of fiction
can rival Bibhuti Bhusan's representation of its delicacy and charm. The author
makes a simple affair.
It
is through Durga that Apu enters the heart of Nature and for the first time in
Bengali fiction Nature becomes a living personality, if not the
protagonist.
For
me this wonderful novel has a never-ending charm. It is instinct with the
spirit of my country. The social problems that Apu had to face and their impact
on his life are so familiar that they become, as it were, our own problems. Yet
the scenes of poverty seem to be over spun.
No
novel in our country, not even of Rabindranah, has brought man into such
intimate relationship with Nature. The descriptions of Nature in their
vividness and appeal show the highest art, surpassing that of 'Great Hunger' or
'Growth of the Soil'. We see Nature with our eyes and hear her subtle music
with our ears. As we read the novel, we seem to be wandering in some idyllic
wayside of a Bengali village. Bibhuti Bandopadhyay is the most Wordsworthian
author in Bengali literature, — not an imitation or adaptation of the great
English poet, but one who wrote from the same depth of feeling with the same
unerring vision.
Lastly,
the human drama enacted in the novel has the most intense interest. The
sufferings of the various people have that overtone of pathos which belongs to
the common people all over the Third World.
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